BANDS AGAINST THE BAN IS BRINGING MUSIC AND ACTIVISM TOGETHER!
Join Denver’s pre-eminent artists as they work to raise money and awareness for Planned Parenthood at the Oriental Theater on January 4 th
Denver, Colorado: Spearheaded by Megan Kelley, of the band Married a Dead Man, and David Pereira, of the band Hate Minor , Bands Against the Ban is a new coalition of Denver-based artisans, music-lovers, and activists, teaming up to defend a woman’s right to affordable, accessible health care. Their first event – a benefit concert for Planned Parenthood Votes Colorado – will be held on January 4th, 2020, at the Oriental Theater.
BATB is thrilled and honored to partner up with Denver-local businesses – Evergroove Studio , Planned Parenthood Votes Colorado , Spruce Barber and Clothier , the Oriental Theater , Mutiny Information Cafe , and more – to take a stand for reproductive rights, and create an event that’s as fun as it is effective!
Headlined by Church Fire , with direct support from post-punk gothic band Married a Dead Man, rock-duo newcomers Hate Minor, and burlesque-troupe Rebel Girl Productions , this show promises to deliver some serious punch, while raising some serious funds for a cause that every Denverite can get behind. We are thrilled to do our part to elevate female artistry as we work towards a better future for every woman; with each featured band boasting a strong female presence, from conceptualization to execution.
Music and activism go hand in hand, and BATB is proud to honor Denver’s strong tradition of conscientious songwriting and performance with an event designed to raise awareness and help embattled non-profits like Planned Parenthood to accomplish their missions. As we press into election season, we believe BATB’s goals will resonate with the Denver Music Scene, and help to inspire political activism from musicians and music-fans alike as we fight for what we believe in.
Favorite Tracks: Awakening, Stray, Burn, Taken, Shimmer and Valkyrie
Sounds Like: Bauhaus, Sisters of Mercy, The Room In The Wood, Mazzy Star, Gary Numan, The Damned (Darkwave Era), and Dead Can Dance.
As old man winter enters Colorado. Everything seems to slow down. It’s pitch black by 5pm, the pumpkins from Halloween are beginning to rot. The temperature is a constant 45 degrees. It’s great weather for some Gothic post punk tunes from Denver’s Married A Dead Man. They are set to play Goosetown Tavern on November 22, 2019 for their new album release, “Awakening”. Tickets are moving and are limited to only 100!
I have always felt a good album contains a story line. This story line may be deep and meaningful. Or maybe a group of musicians having a great time making music? Every song has its own story. Denver’s Married A Dead Man is one of those bands. With each release a story line is set. We reviewed their last release here, https://coloradopunkrockarmy.com/2018/10/12/married-a-dead-man-haunt/
The first track, “Overture”, provides a dark, grimy, and haunting introduction. This is a beautiful and haunting song. The movie is set to begin. “Awakening” is next with synth sounds reminiscent of Nine Inch Nails, “Dead Souls”. Kelley’s voice is energetic, yet blends well with the amazing drum work, and excellent guitar. This is a buildup to a pure, awakening from the depths.
I have to admit the next song, “Stray” hit me very hard. This anti-gun track is emotionally charged and left me pondering this. How many have to die at the hands of gun violence? How many more children will be gunned down like lambs to the slaughter? This song is incredible and has very strong potential.
“Shaken by bullets all flying around Pick up the bodies that lie on the ground With thoughts and prayers as we sink in despair Twenty years past yet we still look elsewhere”
Married A Dead Man – “Stray”
“Burn” follows with a beautiful piano introduction. This track has an awesome industrial sound. It’s almost as if there’s a full orchestra behind Kelley and the band. The buildup towards the end of the track is unexpected, but done brilliantly. “Bleed” is the next song. A relationship over, yet an awakening has begun to reclaim the soul.
The drum work on the song is excellent. The synth dances as a playful witch explores her new surroundings. I love this song! The band fully displays each of their own mastered styles. There’s an impressive guitar riff that blends seamlessly with the track.
“Taken”, gets dark and mysterious. The song progresses the story line while bouncing between self reflection and taking action. The imagery in this sad tale is deep and I felt it was best to reach out to the band for comment. I spoke with Vocalist/Keyboardist Megan Kelley.
CPRA: Can you go into more detail about the song “Taken?”
Megan Kelley: Absolutely. This song is somewhat painful to discuss and is very personal. It’s about rape. The lyrics are two fold: they discuss the victim begging to be freed and let go by the rapist, “stop/not that/this, please free my wrists. Choke/spit/hit/piss, I want to live” while toggling between the victim having an out of body experience to cope with the assault as it occurs “I’m floating high above. What should I think of?”
It also makes the point of how victims feel after getting assaulted: how they feel completely unattractive, detached, scarred, and how they view being seen differently by others. “Played out your fantasy, tied to my canopy. I was a bride-to-be, now no one touches me.” The song explores the fight-flight-freeze response to getting attacked in the first verse.
When we play this song live, often times I will discuss the personal nature of this song and always stress that it’s never the victim’s fault. I hope that with open dialogue about sexual assault it will help more victims find a place of healing. Rape is about control, and the best way to take back your control is to talk about your experience when you are ready.
I hope that our music can help anyone who has experienced anything like this. I have often feared being pitied or seen solely as a victim. My public “face” is not one to show or admit vulnerability, but writing about these experiences and feelings truly has helped me in many ways.” Thank you Megan for sharing your story!
“Shimmer” follows and slows the album down. It’s calming, as it explores the sub consciousness. The bass shines on the track. This is another track where I felt it would be great to hear Kelley’s thoughts.
CPRA: Can you go into more detail about the song “ Shimmer ?”
Megan Kelley: “Shimmer is about floating away in the ocean. The suicide aspect is a metaphor for self acceptance and peace within yourself; it’s not necessarily about suicide, but it’s also inspired by how Virginia Woolf killed herself (which was by drowning herself in a river after weighing herself down with rocks in her pockets.) That kind of self acceptance really comes from making absolute peace with oneself, so I thought that the beach setting was fitting for this kind of peaceful acceptance. I grew up on the East Coast.
Being near the ocean is something that I’m very accustomed to and love. The initial inspiration behind the song was the beauty of the ocean, and how much a beach scene is so peaceful and quiet. “I dip my toe in, dreaming of floating. I swim the ocean, the salt is cleansing. Feeling absolution, I can go peacefully.” Another big WOW from this writer!
“Keening” follows up with some edgy drums and guitar. By far one of the darkest tracks. It sounds like it could’ve been written by Bauhaus, yet retains that amazing MADM sound. This is another track where I felt it would be great if the band could offer some insight.
CPRA: Can you go into more detail about the song “Keening?”
Megan Kelley: Sure! This one was really fun to write. The band writes all the music collaboratively, and I write most of the lyrics and melody. Travis (bass) also writes some of our lyrics and melodies. We have a song about witches. We have a song about the Valkyrie. We really wanted to write about banshees. This was nice for me to research because I am half Irish…and really went deep into the folklore rabbit hole during the research process.
Like a lot of our music, it has a theme about women. Some songs are personal, like “Taken,” “Bleed,” or “Run,” and some songs are about strong women in mythology/history that we find interesting.There is a common misnomer that a banshee could put a curse on you if she came to visit. Really, the banshee is simply the messenger, visiting you to warn you that someone in your family will die soon…even as soon as the next day.
Visiting at night, and typically portrayed as a shrouded, older, skinny, kind of scary faced woman with straggly hair, the banshee shrieks her way through the darkness to deliver her message. In Ireland, there is a belief that a certain banshee is assigned to a specific family, and that your assigned banshee would stay with your family forever”. Such a great story! Thanks Megan for the awesome information!
The last track is, “Valkyrie – (Offerings To Odin) Remix. Prepared to be straight up blown away by this kick ass remix. While the original is a bit slower, this remix offers a dance version. This track would fit well in any action movie where a person is bent on revenge. This track seems to culminate the story line of “Awakening”. Fans of 90s house music will love this track. Denver’s Rock Island days are still with us.
In reflection, “Married A Dead Man’s, “Awakening” is a gothic post punk trip through intimate, storytelling, and fascinating composition. Several tracks on the record have great potential for commercial success. EDM may be taking the airwaves, but MADM is proving post punk is still alive and kicking. This album is definitely a nominee for CPRA’s Best Of 2019. You can pick it up on all major platforms after the release show at Goosetown Tavern.
Sounds Like:Siouxsie and the Banshees, Joy Division, X-Ray Spex, early New Order and The Cure.
Band Bio: Taken from Svart Records website: “As the earth turns toward a colder era and humans struggle to adapt to a bleaker autumn breeze, a new music shivers in the shadows. There stand Weathered Statues. The group convened in early 2017 in Denver, Colorado, with three members having previously performed together in the post-doom outfit Cloak of Organs (along with members of Planes Mistaken for Stars and Wovenhand).
Singer-keyboardist Jennie Mather, guitarist-keyboardist Jason Heller, and drummer Andrew Warner (also of Slim Cessna’s Auto Club) recruited bassist Bryan Flanagan, and the newly dubbed quartet of Weathered Statues began forging songs of mutation, betrayal, dislocation, erosion, and decay, subsequently playing shows with everyone from Boy Harsher to Pelican. Years ago, Mather and Heller had served in a short-lived shoegaze band called Hyacinth with Anthony Couri (previously of Minsk and currently of the Locrian side-project Lake of Violet), and the two of them began to sculpt lush sounds into something far more stark.”
Emotional, raw and well crafted post punk from Denver, CO. Like a lot of post punk, this checks all the boxes of having a solid rhythm section, providing the backdrop for the guitar and keys to create harmonies that are beautiful, but not overly florid. The clean lines those parts create give way to the perfect space for Mather’s vocals, which have strong melodies, without being overly dramatic. Her lyrics are dark but not brooding, which is what I like the most about them. I enjoy how directly she sings about lost love, death, betrayal, and the like, while the band provides the perfect musical backdrop.
The production is great also. The drums are mixed very well, and the overall balance of the band is stellar.
Favorite tracks: Corpse Candle, Betrayal, Dark Tides, Ossuary
On a personal note, I thoroughly enjoy this album and since writing this review, and find myself coming back to it time and time again. I want to play a gig with Weathered Statues!
About the Reviewer: Megan Kelley is the front woman for Denver based post-punk band Married a Dead Man. She is an accomplished pianist, keyboardist and singer, with a full time private music teaching studio. She is also a composer, songwriter and holds degrees in classical voice and piano, as well as a second degree in sound engineering. Music is her entire existence.
Favorite Tracks: Spywerks, Bad Dreams, Run, and Knoxville
Sounds Like: Perpacity, Bauhaus, Sisters of Mercy, The Room In The Wood, Mazzy Star, Gary Numan, The Damned (Darkwave Era), and Dead Can Dance.
Have you ever put on a record laid down and drifted off into some dream world? That’s called art my friends! Something that makes us feel something, anger, happiness, and of course sadness. Let me first introduce Denver based post punks, Married A Dead Man. Per the band’s Facebook page, “Married a Dead Man formed in July 2016 from the remnants of hardcore band OK Holiday, where Jaime (drums) and Gwyneth (guitar) decided to form their own female based goth-influenced project.
Veteran bassist Travis was added a few weeks later. Black clad kindred spirits, Megan (vocals and keyboards) and Jaime met volunteering for Girls Rock Denver, a non-profit organization that empowers young girls through music.
Brought together by disparate influences, the band creates an eclectic mix of goth, shoe-gaze and dark-wave, culminating a unique Denver-based sound. They collectively have 30+ years experience performing, recording and touring.
With their forthcoming debut LP, “Haunt”, Married a Dead Man has a host of local gigs, and will be touring in into 2018”.
The coolest part about this story is how everyone came together to create such a unique sound. So let’s get into this unique sound. If you recall I mentioned that music should make you feel something. While listening to the opening track, “Spywerks”. I felt as if I was falling down into a deep rabbit hole. Upon gaining my footing my imagination began to run wild. I saw images of cold war soviet spies running covert operations. Ok so maybe those came from the movie, “Atomic Blonde”, but the song led me in that direction.
“Spywerks”, the opening bass line is a quick hook, when combined with the drums and guitar they make a wonderful combination. Kelley’s vocals are beautiful, yet strangely haunting. Let’s move onto “Bad Dreams”. This is probably my favorite track on the record. This track defines the label of “Dark Wave”. It’s dark and heavy. The emotions portrayed feel relatable, yet in someway dream like. The vocals shine during the chorus. “Never Say”, opens with a type of Colorado surf rock like, “A Shoreline Dream”. The keyboard and guitar are the stars on this while the drums push the progression. This song reminds me a bit of the Cure’s, “Disintegration” album.
“Knoxville”, this one reminds a lot of Siouxsie and the Banshees. It’s fast paced, deep and heavy. This is definitely one of my favorites. The intro on the guitar kicks serious ass! The drums are quite remarkable. I’d love to hear this will a full symphonic orchestra. “Shadows” is up next on the record. This one slows down, yet continues the fantastic sound. This one is mainly drum and bass, which emphasizes on the vocals.
“Shed”, has really awesome bass line with some keyboard mixed in. Again while listening I feel like I’m in some sort of movie. The drums and guitar are on key and lead the vocals for an amazing crescendo. “Valkyrie”, this one seems a bit darker. It reminds me of the Pixies early tunes. Next up is “Run”. There’s some beautiful piano notes that lead into the vocals. This song seems to be about the loss of a relationship and running to escape the pain.
“Heart is shutting down
Her frown became a fixture
The distance in her eyes
Could paint a million pictures”
So I have come to a conclusion. Here at CPRA we decide on which eps/albums will make it to December for our Album of the Year Award. I thought it would be easy enough. Although I never considered that we would need to break it down by genre. Well I’m throwing, Married A Dead Man, “Haunt” into the best “Post Punk Category” for Album Of The Year. Throughout this album my ears are hearing new sounds I missed the first time. The album is the perfect combination of goth/post punk without feeling like it came from 1982. So be sure to check this one out!!!
Favorite Tracks: Therapy, Lullaby, Night Ride, and Working Class Poet
Sounds Like: The Penske File, Poor Moxi, King Shelter, The Pixies, Nirvana and Vampire Weekend
The Wannabes first popped on the CPRA Band Radar Alert back on 4/06/2018. So I was extremely happy when, “Goodbye” first popped up on Spotify. So let’s dive right in with the intro track, ‘Intro’. This one is small, but it’s like opening a new book for the first time. For whatever reason the first time I heard this track. I kept thinking about the movie, “Being John Malkovich” It’s basically about some guy (John Cusack) finds a door. This door leads directly into actor John Malkovich’s brain. Cusack can see and hear everything going on in Malkovich’s life. It’s one of my favorites.
‘Therapy’, is next up on the list. The guitar, drums, and bass seem to flow easily as they intertwine with one another. This one has a simply beat, yet feels like it has a very deep message. “I sell smiles, but I’m running low”.
“Trust in us
That we will turn your ugly thoughts
Into pretty melodies
Cause we have medicine in our veins
And poison on our skin
If you’re better at being me
Then I might know where we will be
Sleeping under your bed
Or in your dreams
But we’ll never be like you
I sell smiles but I’m running low”
‘Night Ride’, this one is a little on the harder side. The bass and drums on this track are fantastic. Cameron McCurry’s vocals really add that bit of edge to the song. ‘Princess’ rolls up next on the track list. This love song has some great lyrics and shreds on guitar.
‘Animal’, this song sounds almost Ramones inspired with its melodies. I really like the “sing a long” type lyrics. The drums are great. Next up is my second favorite track, ‘Lullaby’. This one again has some great lyrics, some great hooks, and fantastic drumming. We can all relate to this song.
“Im a little odd
but my friends all call me crazy
Im a little ugly
but my friends say Im a monster
My friends dont exist
My friends dont exist
My friends dont exist”
‘Rings’ comes up next on the list. The song is almost like a great power ballad. This one is a bit darker. I feel like we are really getting inside the writer’s mind on this song. ‘Running Out Of Time’ slows it down with some great little notes acoustically. ‘Working Class Poet’, this track speeds it back up. This one reminds me of Nirvana towards the end of their stand. The drums really stand out along with the cello or violin on this one.
“Puddles”, ok not sure if this song is referencing, “Puddles The Clown”, but I’ll be damned this is a great song. The piano is absolutely heartbreaking, yet hauntingly beautiful.
‘Death Song’, leans more towards a goth rock type song. The keyboard along with the vocals sound like they came from an opera of sorts. Even in a pure instrumental style this song could stand on its own. ‘Goodnight’, closes out this amazing album. This song is such a fantastic ending to a great album.
I reached out to drummer, Andy Pieratt for some formation information on the band. That’s something I always like to check into to. It helps me understand their music more. “We formed in October of 2016 with just Cameron McCurry and Andy Pieratt (me), we had talked on Craigslist because we both had similar influences and both wanted to start a band. So, we decided to meet up at a Mexican restaurant, and after like 5 minutes of talking together, we just seemed to click. Then, Cameron asked if I had any ideas for band names, and I said I was “cool with whatever,” he suggested that we should be called The Wannabes because he has this guitar called “The Wannabe” guitar, and as far as we can tell that guitar does not exist outside of the one Cameron owns.
Trust me we’ve searched endlessly on Google. But, after that Cameron and I would practice regularly and “Lullaby” and “Therapy” were some of the first songs we worked on and eventually made. We had a long time of trying out different bassists because none of them seemed to fit right or fill that missing connection in the band. Then one day, Cameron mentioned that there’s a kid named Joe at his school who plays bass/guitar that he thought might be the perfect fit.
Then in like February of 2018, Cameron, Joe, and I all met at the same Mexican restaurant and the full band of The Wannabes formed. Cameron and I both knew Joe was the perfect fit before we had even practiced with him. He was an edgy kid who was wearing a beat-up Zeppelin t-shirt, can’t get more rock n’ roll than that. Eventually, in May of 2018 we started recording our first album “Goodbye”, and now here we are today!” That’s some great stuff!
In conclusion, “Goodbye’ from the Wannabes is a magical and twisted journey that should be added to any music lover’s collection. The different genres they feature make this a exemplary album of combined talent. I’m adding this one onto the list for the CPRA 2018 Album Of The Year. You can download it here, https://thewannabes.bandcamp.com/.
Sounds Like: Depeche Mode, The Cure, Soft Cell, Bauhaus, The Room In The Wood, Rat Scabies
Favorite Tracks: Rule The Day, Telethon, Dance To Disco, More, Omega Cacumen
Here at Colorado Punk Rock Army we are blessed with the ability to review new and different types of music. We love what we do! We can sit at a coffee shop or bar, listening to great music before it hits the airwaves. So when Perpacity announced their new album, back when we reviewed their single, ‘Telethon’. We have been patiently waiting on the new album, “The Order of Now”.
Depeche Modes, “Black Celebration” is one of my favorite albums of all time. This album is considered one the most influential albums of the 1980’s. Perpacity seems to draw heavily from their influences. Does, “The order of Now” sound like, Depeche Mode? Yes and no. While songs like ‘Goodbye’ and ‘Telethon’ do resemble Gore’s historic bass/keyboard sounds, Perpacity brings a less pop like sound.
Their sound is unique with a deeper meaning.
So let’s go over some tracks some of my favorite songs on the record. ‘More’ a beautifully well written love song. The intro sound effect, synth sounds, and vocals really stand out on this one. I like the almost, Middle Eastern mystic sound.
“I’ve seen all the rhythm that you’ve got,
When you get excited you want more, more, more.
And when you move, the way you want.
Well I get excited, I want more, more, more.”
‘Goodbye’, this song is absolutely haunting. It’s beautiful. The male/female duo have really nailed this song. You almost feel the desolation. I’m going to finish this review with the last track on the record, instrumental only ‘Omega Cacumen’. I love when a band/group throws in some instrumental tracks only. This song dives deep into your heart. My only issue is a feel like it needs to be about a minute longer.
Overall Perpacity’s, ‘The order of Now’ is like listening to a tale being told, and immersing yourself deeply into a dark synth music world.
Stephen King’s, The Dark Tower series came to mind when listening. I highly recommend this album. Be sure to give a buy and listen below!
Sounds Like: The Room, The Fall, Nick Cave, Tindersticks, Bill Calahan, Beck, Fleet
Foxes, The Doors (for Dragonfly), Bert Jansch, Echo & The Bunnymen, Lou Reed, The Eels
The one thing I love the most about Colorado Punk Rock Army is the insane amount of music we get exposed to. One month it might be hardcore punk, the next month all pop punk. Sometimes we even get to check out some post punk. Let’s talk a little more about post punk before we get into the review. Even though I’m a huge punk fan, and have been listening to post punk my whole life. I guess I never really knew it was actually a defined genre of music. The coolest thing about post punk is that crosses over into so many different genres of music.
Photo by Jacob Epstein Bell
So let’s check out post punkers, Paul Cavanagh and Dave Jackson’s new outfit, “The Room In The Wood”. Both former members of “The Room” which split in 1985 have reunited to produce an exceptional new album. This album is like going through an experimental musical journey through a Russian fairytale.
The tune, “Greedy Stars”, will set your brain to relaxation. I really enjoyed the dark overtone and deep lyrical writing. The background vocals on this one are dreamy and may cause a feeling of nostalgia. Now onto the track, “Magical Thinking”. It wouldn’t surprise me to see this one make a landing on the charts. The lyrics are catchy, vocals are beautiful. I really liked the almost disco like guitar riff, as the drums bring a slow build. This song sounds a lot like something David Byrne would write.
“Raven Girl”, slows it down as we get pure storytelling genius. I love the guitar on this one! The progression is admirable. The drums become so important towards the ending. Again this one may hit the charts. “False Friend”, slows it down a notch. The story is just that of finding a fake or false friend. Always sucks to find out someone is like that. It reminds me a bit of something The Eels would write which makes it a great song.
“Grey Wolf Lullaby”, dives deep into a pool of dream like tones. This is poetic storytelling, with a simple bass and drum behind it. The background vocals blend well in this beautiful song. “Sensation” is by far my favorite track on the album. It has this amazing Western sound, which is easily identified. You can really hear the many different influences on the album, just by checking out this song alone. I can definitely see the rockabilly crowd enjoying this one.
“Oh my heart, after all, life itself is all about sensation”
“Sky Pool”, slows it down again, yet to just a comfortably numb feeling. We still here those sweet Western sounding riffs. Don’t be surprised if this one or “Sensation” ends up in a Quentin Tarantino movie. “Snowblind”, continues the slow direction with brilliant storytelling. Again this to me really feels like an Eels song. It’s happy and will make you skip. The guitar solo is quite elegant. “ Vermillion Sands”, starts to pick the pace back up. The chorus is quite catchy. Again I really enjoy the storytelling on this.
Photo by Yvonne Marsden
“Time Machine”, deals with self- reflection and lost love. “Nothing is Real”, starts out with some beautiful acoustic and ranges to a full assault. The mix of instruments I can hear is quite extravagant. It sounds like a bit like something the, “Grateful Dead” may have done during their experimental phases. Last, but not least we have, “Snakeways”. This pure acoustic and vocal song caps off the end of the Russian fairy tale story. Although not my favorite song on the album it closes out the elegant album.
Photo by Jacob Epstein Bell
Overall this album is pure bliss. With tracks like, ‘Nothing Is Real’, ‘Magical Thing’, and “Sensation’, the duo have crafted a fairytale album. They have not missed a beat since 1985. You can download and purchase physical copies here, on June 22, 2018. Be sure to follow them on Facebook as well. Be sure to check out A Turntable Friend Records as well.
So, I think the best way to start this is to come right out front and say that while I’ve heard a few Shriekback songs before now, I wasn’t very well-acquainted with their work. As such, I can really only speak from a “fresh” perspective; and not one of a seasoned Shriekback fan. I don’t have the context of the full library of 13 previous studio albums and countless live albums, compilations, and singles to draw from, as I’m sure many of those reading this do.
To those who have been long-time fans, of whom there are many, please bear with the noob.
Let me just start by directly saying, I really like the sound of the band! I hear a lot of things that I like in the music; and given that the band has been around since 1981, it’s hard to say who has influenced who, in some of the sounds I hear. My first thought during the opening track, was that it sounds a little like Midnight Oil or INXS; certainly a recurring sound theme across the whole album. Throughout the rest of the album, I feel I can draw comparisons to Tom Waits, Nick Cave and the Bad Seeds, Lou Reed, Iggy Pop, David Bowie, and just a tiny little dash of Skinny Puppy. I hear Blue Man Group in the drums, and The Eels in the bass and some guitars.
It’s macabre and poetic, with a little light humor splashed in, here and there. It’s relaxing, but with just enough upbeat-ness to clean your house (albeit somewhat slowly).
I really enjoyed listening to this album. By the end of the album, I found myself wanting to get a few more Shriekback albums, to see what I’ve been missing; so I’m off to the record store, now…
If that doesn’t say what needs to be said about this album from a newbie’s perspective, then I don’t know what does. I liked it, and I recommend it.
Current Lineup: Daniel Ash, Kevin Haskins and Diva Dompé
Our Favorite Track(s) : Mirror People, No Big Deal, Go!
Sounds Like: Bauhaus, Tones on Tail, Love and Rockets mixed with The Stooges and The Clash
This is an album of reimagined Bauhaus, Tones on Tail, and Love and Rockets songs, but more stripped down and simplified. No glittery 80s synths, no dark oppressive drums. Just a solid three piece band, a la simple punk music, with some fuzz on the bass. The hooks are all there and the rhythm section is super good. It’s enjoyable to hear these classic songs in a different way, even if they are somewhat more mellow in tone….the raw bones of the songs are still very vibrant and alive. While I found it surprising to be the album opener, the cover of “Heartbreak Hotel” is smart and well thought out, keeping with the voice and style of the rest of the album.
The feel of Poptone is fresh and modern, while still keeping with their vintage sound from the 70s and 80s. This is a perfect album for when you want to hear these songs, but you don’t want them to take over your sonic space like the original versions did. I could see this being played over dinner, or in a movie, or for when you just want to chill out. It lacks the intensity and production of the originals, but that is not necessarily a bad thing. These songs were well crafted from the start, lending them to be the perfect mellower versions of themselves.