Release Date: 7/13/2019
Format: Digital and physical
Production: “Decades”was recorded at Denver’s, own Black In Bluhm studio.
Mastered at Dog Gate Studio
Location: Denver, Colorado
Current Lineup: (Per Facebook)
- Ben Kellogg- Bass/Lead vocals.
- Ira Dechter-rhythm guitar/back up vox.
- Brian Burke-lead guitar/backup vox.
- Joel Gonzalez-Drums
Sounds Like: CIV, Comeback Kid, Gorilla Biscuits, NOISE, and Youth Of Today
In an age where EDM and shitty pop dominates the airwaves. You need some authentic and pure Denver punk to get through your day. Over Time hung up their Blades Of Steel to record a new EP for our ear holes. Speaking of Blades Of Steel I’m hoping they will release more of the shirts below. Mine is getting small or I’m getting fat. Anyhow you didn’t come to read about weight loss you came to read about, “Decades”.
The record intros in with, “Decades: What A Nightmare”. As the heavy kick drum starts out. You can feel the weight of this song, as it launches into a full on audio assault. This track is about watching your friends change and growing older. This track hit me on a personal level. I’ve watched a few of my so called, “Best Friends”, grow up and move on, to never hear from them again. Yet I’ve made new friends since and my relationships with them are now everlasting.
“And we’re past the point
Where this life is scary
I’ve buried more friends than I’ve seen get married
Man, it’s sad to say
But I hope they’re all in a better place”
“Cant Stay The Same” is up next. Now I’m not sure if this is a coincidence or not but it seems there are some nods to the Boss aka Bruce Springsteen on this track. With references to the tracks, “Born To Run” and “I’m On Fire”. This track comes to life with energy, with strong chord strikes, head nodding drum beats, and great lyrical content. This tune will get stuck in your head from the get go. As the record progresses I love it more and more. Here’s my own nod to the boss below.
“Art Of The Steal” come up next. It reminds somewhat of an older H2O song. This one is politically charged and motivated by anger. If you’re even slightly afraid of a nasty pit, better get out on this one. If not join the fun! NYC Hardcore fans you will love this track!
“Energy” follows with more speed and some insane drums. This track is more on the melodic skate punk side. The writer is reminiscing about time with a friend while listening to Op Ivy’s, “Energy”. I felt I really couldn’t find the words when trying to describe this song. Nor felt I could give it the justice it deserves. Every time I tried to type a tear would well up. So I reached out for comment.
Per Ben Kellogg, “So, “Energy” was written about a friend of mine, my best friend actually that left us in 2015. It touches on the years that we first met and our connection over a taped copy of “Energy” by Op Ivy and the times we spent learning all the songs on the record and singing them at the top of our lungs whenever we got the chance. Fox, the person in question, always had a bit of mystery surrounding him and constantly left me worrying, so the song kind of touches on that in the sense that I always had the utmost confidence that he would survive his demons, but was always a bit shaken to the core by some of our conversations.
The first line, “I got that sinking feeling, the moment you flew south, you were the one that I told everyone about” kind of sums up the whole theme of the song, as I was always so proud and in constant awe of his friendship, but when he moved away in 2013 I just had a gut feeling that something bad was going to eventually happen.”
The next song is, “Twilight Sentinel”, fitting with the theme of the album and the nightmare of growing older. The acoustic intro starts out on a somber note, before building into an electrical climax. The bass line although not prominent adds that underlying emotion, while Kellog’s vocals provide the story. This vocals and style are similar to Lenny from Darkbuster. The big difference maker being, this track has an extreme amount of depth both instrumental and lyrically.
“Walls”, loses the acoustic while returning to a faster heart pounding sound. This one is pure driven hardcore. Have you ever obsessed about something you missed or felt you needed? You might be over it, yet still think of it from time to time. Yet still feel like there is a political undertone.
“Drag The Lake” is the last track on the EP. Personally I’m not ready for it to end. This track is nothing but heavy and I love it. One part I love about Over Time is you never really know which way a track will go. It may go the pop punk route, before quickly reverting to a hardcore skate punk sound. In my head I see fists pumping and kids circling the pit to this track. There’s a sense of unity somewhere in there.
I reached out to the band for comment as I really wanted to know more about what drove this record into production. Per Ira Dechter, “The album has a theme of growth and putting the past behind you. Learning from our mistakes and becoming a better person. While still touching on the current state of our country with the songs like “Walls” and “Art of the Steal” relative to being a better person and treating everyone as equals no matter where they’re from or what their background is.”
This EP has come to an end and so must this review. Over Time’s, “Decades”, has been composed with anger, love, and unbridled talent. The brillaint combination of NYC Hardcore, melodic skate punk, and a dash of pop punk, makes this little EP, one giant record. Sure there may be more like it out there, but none made by Over Time. Be sure to download here, https://overtimehxc.bandcamp.com/ and hit their massive 4 Way Release Party with Filthy Hearts, Sorry Sweetheart, and ZEPHYR.
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Track List (Subject To Change)
1. Decades: What A Nightmare
2. Can’t Stay The Same
3. Art Of The Steal
4. Energy Master
5. Twilight Sentinel
7. Drag The Lake
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- Spotify: https://open.spotify.com/album/0os2JSZJQA0p2KH1RwCTK2