Dying Scene’s first Resurrection show was a huge success. It had the perfect venue (Ratio Beerworks) at Overland, amazing drinks, and a great lineup. The show was actually inside the Brew Room. Upon arrival, I was like where is this show going to be? I didn’t see a stage, sound gear, nothing. It was when the venue opened the doors to the Brew Room. I realized the show would be there. That place is so cool! I always remember the venue where my favorite shows have occurred. I was also greeted by doggos all over the venue!
Denver’s All Waffle Trick had some members unable to make the show. So lead singer and guitarist Jeff Giles played a banger acoustic set. He played some All Waffle Trick songs and a few covers. Could Giles be the next Frank Turner? YES. All Waffle Trick has become a punk rock staple here in Denver. You can catch them at their next show at the Whiskey Gym on 06/25/2022! After that I checked out some new Dying Scene merch to help raise them some funds!
We all know, building a website is extremely expensive. Dying Scene lost their website awhile back and was forced to rebuild from scratch. So you should go drop them a few bucks to help them get back on their feet! I also had some time to check out Ratio’s Beer Menu and was surprised to see such a varied selection. I personally suggest you try the Domestica IPA. It’s delicious and great for those of us whom prefer ales. Soon the next band, Gunpoint Alibi, was ready to take the stage.
Gunpoint Alibi, was formed over the last few years and totally new to this writer. Their sound mixes emo, pop punk, and riot grrrl. I wasn’t sure what to expect as I had never seen them live before. They formed around Covid, and sadly I lost them like many other bands during quarantine. They are a blast to watch,, and now I’m playing their songs on repeat.
The next Denver based band was pop punks, The Loser’s Club. Again, I should mention I slept on both Gunpoint Alibi and The Loser’s Club. Covid sucked! I was totally blown away by them. They knew how to play to the crowd. This band may only be in their early 20s, but look like they’ve been doing it for years. Now, everyone knows Skabones is not the biggest fan of pop punk, but I absolutely love The Loser’s Club.
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Denver’s Younger Than Neil played a stellar performance! They are by far one of my favorite local skapunk bands. The trumpet was blaring, the drums pounding, and the circle pit was flowing! I actually haven’t seen them in a few years, and it was very refreshing. So to sum it all up, if you didn’t attend the Dying Scene Resurrection Show you missed a rad show. Be sure not to sleep on these bands Gunpoint Alibi and the Loser’s Club. Oh, and don’t forget to follow Dying Scene. The CPRA Podcast will be appearing on their website! You can donate to Dying Scene Via the QR code below.
Favorite Tracks: Heartsick, Lovestuck, Classwar, So, Brother (Stalemate mix), Sugarcane (Remix), Papa Tells me and Fauxhawk
Sounds Like: Bad Religion, Descendants, Thrice, Flatliners, Sunset Silhouette, Shell Corporation, Propagandhi, and Against Me!
It’s spooky season here at Colorado Punk Rock Army. All of our admins are wearing their Halloween gear and listening to nonstop local punk rock albums. I decided I’d give Poor Me’s latest release, “Stalemate” a spin. So the big question remains is “Stalemate” a trick or treat?
The first track is “Heartsick” . It starts off slowly like a nightmarish lullaby. It quickly goes from zero to hundred in mere milliseconds. Per the band’s website this song is about moving on from an unforgettable past. Next is my absolute favorite track on the album, “Lovestruck”. This track is a tribute to Denver punk rock legend Johnny Bender. I’ll never forget where I was the night I heard Johnny passed. This beautiful tribute is so fitting for anyone who’s suffering the loss of a loved one.
“So, Brother” (Stalemate Mix) follows and originally appeared on the band’s 2018 “Sugarcane” release. This new remix version hits harder with heavier chords and Delany’s sometimes gutter-like vocals. I have always loved the lyrics of this track.
“Let’s sacrifice it all. There wasn’t much for saving. We’re welcoming your tired eyes – we’ll give you back your sight. Although you’re broken, you still dissent? So brother, why aren’t you changing? The truth is bright. We share all the answers to fear the night.”
“Sugarcane” (Stalemate Remix – Originally appeared on “Sugarcane”) follows and this track seems much heavier than its counterpart. The gang vocals seem more polished. The drums and melody seem more powerful and yet the track still sends a great message. My third favorite track is up next and is called “Class War”.
Honestly if I didn’t know this song was by Poor Me I would have to guess it was by Propagandhi or The Shell Corporation. This track is an absolute killer. We all know how divisive the last 5 years have been. It sure does not appear to be getting better anytime soon.
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“Papa Tells Me” (Stalemate Mix – Originally appeared on “Sugarcane”) is up next and has a strong message. As sons and daughters, we are always living in our parents’ shadows. Of course, this isn’t always a bad thing, but sometimes there’s so much pressure put on the child’s shoulder even at a very young age. The first child is usually considered a “Golden Child”. The one child to change the family’s name in the social and political circles. I for one can easily identify with this track.
This version again destroys the former with more emphasis on a heavier sound edging the fine line between punk rock and hardcore. The track reminds me of something you would put on in a grungy rock bar before racking up the pool cues. “Mistakes Can Be Made” (Stalemate Mix – Originally appeared on “Sugarcane”) is up next. Pick up your air guitar and play along. The guitar is perfect for skatepunk fans and accompanies the vocals like magic.
“I gave up on God and called for the nurse – a daydream had startled me. That smile on your face may never return to me. I couldn’t lie there and wait. I guarantee in this life that mistakes can be made. Guaranteed to challenge myself – but I can’t commit to a change. Or maybe I’ll quit – I can’t commit to a change.”
“Strawman” is a brand-new track and it hits home. We fill ourselves up on so much crap to make us whole. This song is a little slower than some of the former tracks, but it can probably still manage a decent and fun circle pit. It will make you start to question life and it’s meaning.
“Fauxhawk” brings in an energetically charged political message questioning organized religion and the church’s intention. Even though it has a super deep meaning. This song is so much fun! Maybe it’s the melody or or the chorus, but this track makes me wanna dance.
Well, we have arrived at our final track, “Perpetrators (Stalemate Mix – Originally appeared on “Sugarcane”. I have loved this song since “Sugarcane’s release. This version is so much stronger. You can feel the blood, sweat and tears pumped into the bass, the drums, guitar and vocals. You’re likely to bust a vocal chord by trying to match Delaney’s vocal styling.
Overall is “Stalemate” a trick or treat? Well it’s absolutely amazing on all fronts. The best part is feeling the impressive tempo changes and powerhouse of energy. With tracks like, Heartsick, Lovestruck, Class War, Papa Tells Me, and Strawman one is sure to keep this record spinning. I’m giving a ”Stalemate” my vote in CPRA’s Best Of 2021 Local Albums list”. See Poor Me with Cheap Perfume and Reno Divorce this Saturday (10/30/2021) at The Marquis Theatre for Stalemate’s album release party!
Strange things are afoot in Denver, Colorado this evening as a brand new ALL PUPPET (Jelly Pupps) band takes the livestream stage for the first time from Denver’s The Oriental Theater. They join Denver’s Creature Canopy and The Hellgrammites. So what exactly are we in for?
Why did Hellgrammites drop this still of Kyle Clark from 9News on there Facebook page a few days back? Is their to be a clash between the puppet band and news media? Do the puppets have a drug problem? Oh geez! What on earth is going on here?
Lucky for you and this writer tonight is the Livestream event and there are 2 ways to watch this awesome show. 1. You can purchase livestream tickets here, https://hellgrammites.ticketleap.com/orientaltheater/. 2. You can attend the kickass watch party tonight at Kuma’s Corner (New Metal Bar W/ Burgers!) from 6pm-9pm., be sure to call ahead and reserve a table!
We are anxiously awaiting the release of Denver punk icon, Luke Schmaltz, new book, “The Belcher” which is due out September 30, 2020 via Mutiny Press aka Mutiny Information Cafe. After listening/reading to a few chapters this writer is officially hooked on, “The Belcher“.
Sounds Like: Sunset Silhouette, Came And Took It, Mixed Kid Fridays, The Swifts, Stray The Course, and FIDLAR
Denver’s The Mazlow’s dropped a fresh single this morning called, “Leaving Town”. Is it the best pop punk single to release this summer? It comes off the heals of some of their previous releases, which you can hear and read about here, https://coloradopunkrockarmy.com/tag/the-mazlows/. This track was originally written 15 years ago when the Mazlow’s were angsty teenage boys.
Per their recent article in Westward, “Leaving Town” is about just that. Seeking out those teenage desires to run free out into the world. Per guitarist Colton Kooker, “The song connects our young dreams of moving away, to the current realities of still having challenges in life,”. For me this track encapsulates that teenage feeling of wanting to break free and experience life as we know it.
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With COVID currently stalking us, it’s awesome to have something energetic and hopeful to sing along with. This writer couldn’t be more excited for their full album release in August 2020. You can pick up the single now from all the major music providers.
Did Valentines Day come and go without much love for you? Come out to 3 Kings and shoot cupid in the head with some kick ass skate punk from NJ’s Doc Rotten! The boys will play the hallowed beer soaked floor’s of Broadway’s 3 Kings Tavern. If you haven’t listened to Doc Rotten you my friend are seriously missing out!
Have you ever been to Broomfield, Colorado? It’s a quite and parts agricultural town. One might say even a bit boring at times, now of course this was before the Swifts decided to light it on fire with kick flips. We LOVED their last album, “All Sunshine” and we cannot wait for new one!
The film features exclusive interviews with members of:
The Aquabats • Big D and the Kids Table • Bim Skala Bim • Blink-182 • Bomb the Music Industry! • Buck-O-Nine • Catch 22 • Cherry Poppin’ Daddies • Dance Hall Crashers • Desorden Publico • Fishbone • Five Iron Frenzy • Goldfinger • The Goodwin Club • Hepcat • The Hippos • The Impossibles • Inspector • The Interrupters • Jump With Joey • Kemuri • King Apparatus • La Resistencia • Less Than Jake • Let’s Go Bowling • The Mad Caddies • Maldita Vecindad • Mephiskapheles • The Mighty Mighty Bosstones • MU330 • Mustard Plug • My Superhero • New York Ska-Jazz Ensemble • No Doubt • The Nuckle Brothers • the O.C. Supertones • Oingo Boingo • The Pietasters • Pilfers • The Porkers • Reel Big Fish • Rx Bandits • Save Ferris • The Selecter • Skankin’ Pickle • The Skatalites • The Slackers • Smashmouth • The Specials • Spring Heeled Jack • Starpool • Streetlight Manifesto • Sublime • Suburban Legends • The Suicide Machines • The Toasters • Tokyo Ska Paradise Orchestra • Voodoo Glow Skulls • and a bunch of other super rad ska related people!
Hey guys Skabones with CPRA here. Happy Holidays to everyone out there. Recently we received an advanced copy of Pick It Up Ska In the 90’s. Personally, I couldn’t help myself and dove in immediately. This film was directed by Tayloy Morden. Be sure to check out some of Taylor’s other movies such as, The Pick Up , The Last Blockbuster, Here’s to Life: The Story of The Refreshments, Gotcha. We reached out to Taylor, so be sure to read his thoughts on the film below.
So before I go into more of the movie, Let’s talk more about your mom, I mean me Skabones. I grew up when Reagan was dropping bombs and Thatcher was invading the Falklands. Ska bands like English Beat, Madness, and The Specials were wrecking the UK charts. Given I’m only 42 now I was only about 5 or 6 years old then. So let’s jump back to the 90’s. I was an angry kid, hated my dad, we all hated our parents back then. As you can tell from my senior photo I was a real, “rebel”.
My friends and I were constantly going to shows around Denver. We even got tear gassed at the Propagandhi riot. For me personally I felt I belonged, but also that I didn’t belong. That something was missing for me. I was that square peg that never fits into the circle. I was a “Weird Kid”. So when a friend handed me a copy of “The Pietasters” by The Pietasters around 1994. Something in me finally clicked. I restarted my love for ska! As time progressed, my friends and I started going to more Ska shows like, Denver’s Five Iron Frenzy, Fishbone, Save Ferris, and many more.
So let’s actually get into the movie. When the film opens I felt this immediate ocean of nostalgia come over me. As Tim Armstrong began his narration of the film I felt thrusted back into the 90’s. Someone hit me with a Slap bracelet! The list of media and bands in this film is insane. From legendary DJ’s such as Tazy Phillips to bands you might have thought disappeared. They are some great concepts and schools of thought discussed in the film such as How do you define ska? Have you ever tried to explain ska to someone? Did you know the classic black and white checkered style was not about racial unity? Out of nowhere the weird kids had a place to go and best of all it wasn’t a fashion parade. And suddenly there were trumpets in punk rock.
One of my favorite discussions is Did Kurt Cobain’s death kick off the 3rd Wave of Ska? If you think about it Cobain’s death marked the end of grunge and the start of something new. I’d really love to sit down some time with legendary KROQ DJ Tazy Phillips and asks just why was Sublime so hard to work worth? I can only guess it was Bradley’s addiction or other issues? I’ve watched this movie 3 times now and still find things I missed the first time around. Such as did you know skapunk embraced punk’s DIY boots on the ground self promotion? There was a war between the West coast Vs East Coast ska? Wait wut? As the 3rd wave rose in popularity bands started having more control over their shows such as Skank N Pickle refusing to play non all ages shows
Another concept discussed, How does a ska band survive on the road? You have 5-10 members who have to sit practically on top of each other in the van. I found this part of the movie hilarious! Another personal favorite part of the movie is when gender was discussed and how female members were treated differently from their male counterparts. With venues sometimes thinking they were girlfriends, groupies, or wives of band members. Five Iron Frenzy’s -Leanor Inez Ortega Till discusses this issue in detail. Her section in the movie is a personal favorite. I scored an awesome interview with Leanor which you can read below. Guys I’m talking to you! It may be almost 2020 we may be getting better about inclusion, but newsflash, we are not there yet!
As I said before the lists of bands and media personalities in this movie is incredible. Some of my favorite moments are with Angelo Moore, Ben Carr, Coolie from Pilfers, Moniqe Powell and Mike Park. Oh and Aaron Barret from Reel Big Fish, stays true to his name as over confident sell out. I guess hes’s the Aaron we all know. Haha! As the movie nears the end, the downfall and over market saturation of the 3rd wave are mentioned. Soon Emo and EDM began to take it’s place. The popularity here in the states may have fallen, but 3rd Wave continues to thrive in other countries.
Overall I give Pick It Up – Ska In the 90’s a 9.5 out of 10. This movie is a perfected tribute to ska and in particular to the third wave. The little things you didn’t know, made a huge impact, not only in the ska scene, but the music industry in general. The only downside to the movie is no Op Ivy interview, but it’s really the least of my concerns.
Ska will never die, it will continue to evolve from it’s early Jamaican roots. So pick it up now at www.skamovie.com, via download, and now on DVD and Blu-ray! So let us know down in the comments below your best memory from the 3rd Wave! If you think Ska is dead, read more here, https://coloradopunkrockarmy.com/category/ska/
Morden: Pick It Up! was the biggest project for me in terms of scope, there are over 80 bands featured in the movie, and we filmed in 4 countries over the course of a year and a half. It was also a very personal project for me. I’ve played trumpet in ska bands for over 20 years now and this music has been a huge part of my life. Getting to talk with all the bands I’ve been a fan of for most of my life about the music that means so much to all of us has been an amazing experience. In a way I got to tell a part of my own life story with the help of some of my all time favorite bands.
CPRA: What was the most difficult part in directing this movie?
Morden: There were a lot of challenges along the way, but one of the hardest parts was trying to clear so many songs for the soundtrack, there’s a ton of music in the movie and for every song you hear there are a lot of hoops to jump through. The other difficulties were things like scheduling the interviews around the availability of touring bands and digitizing huge piles of VHS tapes and scanning hundreds of photos, then trying to keep track of all the footage and archival materials and put together a story out of all of it.
CPRA: Was there at any moment you felt it was just too hard to make the movie and what pushed you to overcome if so?
Morden: Somewhere, about half way through editing, we had a 5 and a half hour long rough cut of the movie… I wasn’t really sure how to get past that stage and down to something that people could actually watch. The main thing that kept us going on this project and helped us overcome obstacles like that was the support of the ska community! The bands and the fans have been a huge help in motivating us to to try and make the movie as comprehensive, fun, and informative as we could.
CPRA: We know you can’t really play favorites with any scenes. However; what is one scene that really makes you nostalgic for making the film?
Morden: Not sure if you’re referring to scenes in the movie, or local music scenes… in the movie, there’s a part titled: the horn section that means a lot to me, as a horn player, that part is really autobiographical and I feel like that’s the kind of thing that maybe another film maker would not have included. If you mean music scenes, that’s a tough one, since we learned so much about so many ska scenes making the movie, and our local scene in Eugene Oregon doesn’t really feature in the film, I’d have to say that the stuff about the Japanese ska scene is my favorite.
CPRA: What advice do you have for independent filmmakers trying to get their names out there?
Morden: I’m not sure I’m in any position to give advice, but as an independent filmmaker, I really believe in the DIY work ethic that it often takes to get anything done. That often means long hours and difficult obstacles to overcome. So the advice I would have is: choose topics that you really care about. You’re going to be stuck working on a movie, especially a documentary, for years. So if you aren’t really invested in the subject matter that can get tedious. But as the cat hanging from the tree says ‘hang in there’.
CPRA: Thanks Taylor that’s some great information!
Mastered – Ira Dechter (Over Time), Dog Gate Mastering
Favorite Tracks: Wasted Summer (AKA Endless Bummer), ExSka ExSka Juicy Bits, Millennial, Anonymous, Destroyer, Me, My Hand, and I, and What a Way to Spend a Night
Sounds Like: Madaline, Buck-O-Nine, RBF, Goldfinger, MMB, Younger Than Neil, The Holophonics, No Authority, and Deals Gone Bad
I have a confession. I am a giant slut. A slut for some kick ass skapunk. I place the blame purely on the likes of Dance Hall Crashers, Fishbone, Op Ivy, and the Mighty Mighty Bosstones. After all a friend gave me the nickname name, “Skabones” so I guess it makes sense. So last week my slut senses were going off the charts and Denver based, All Waffle Trick released, “Second Breakfast”.
The energy rips through this song. The lyrics are catchy as hell. How many summers did you have a checklist of things to do, but never did anything? I do it every year. I’d love to grab wave off Laguna Beach again. Yet work and life always seem to get it in the way.
The second track is, “Songs That We’ll Sing”. The intro rips in with some heavy shred. I actually had to make sure I wasn’t listening to the Bouncing Souls. The production alone on this track is killer. All Waffle Trick may have just composed another punk rock anthem right here. Jeff Giles spoken word like vocals really send this track home.
“Tongue Tied”, has Alex Mark showing off his kick ass drum skills. Battraw and Giles are spitting out hooks that make you sing along like a happy fool. “Exska Exska Juicy Bits” follows up with a pick it up sound. This is my favorite track on the album, and those are really starting to mount up. “Millennial” is next up and another favorite. The track speaks of millennial woes, hopes and dreams.
As a Gen X baby I have never really thought of the major differences between generation gaps. For that matter I have never labeled anyone “Millennial”. They were the first generation to witness a mass terror attack on live tv. Cut them a damn break! This song will get you dancing. The guitar work is excellent.
“We don’t care what you’re saying, and I don’t think that you’re listening The context of your content is getting drowned in all the lies The one thing that we can hope and pray is that the dream is still alive”
“Millennial” – All Waffle Trick
“Anonymous” is on hardcore/street punk side with perfectly placed, “Whoas and OI’s”. This track reminds me of another sadly now defunct band called, Jerkswitch from Canada. The hardcore rolls on with “Destroyer”. If you are in the pit during this song prepared to get destroyed! I personally didn’t expect a track like this, but I LOVE it.
“Joyride” is next and swings to a pop punk sound. This track is filled with hope. You will be singing along and don’t say I didn’t warn you. My 5 year old is running around the house singing, “We can take a joyride” over and over again. “Me My Hand And I”, follows and is hilarious. I never thought a song about masturbation could be so much fun!
“Screws loose” combines some hardcore and pop, while reflecting on mental illness. The drums standout while Giles sings his heart out. “Doctors Orders” has a great street punk sound. This track has a serious tone, dealing with medical issues. It’s sad, and that emotion is easily expressed through the song.
“And I swore, I swore I was getting better, and they said the same fucking thing And now I, I need a gallon of whiskey and a bucket of ice just to sleep, sleep at night Just to sleep, sleep at night”
“Doctors Orders” – All Waffle Trick
Let’s return to some happiness with, “Falling Down”. I really dig the guitar at the intro. Battraw’s bass lines are phenomenal. Giles vocals push that smile straight into your face. We all need a track like this in times of self doubt. My last favorite track on the album is next, “What A Way To Spend A Night”. Here’s another anthem with a tribute to Denver. Our punk rock family in Denver is bigger than we all think it is! Sure we have some splits, put that shit aside and grab a brew or joint. I love the ska reggae chorus.
If you stayed this long it’s time to wrap things up. All Waffle Trick’s, “Second Breakfast” is an excellent album filled with everything I love about ska and punk. In fact it’s so good, you’ll want to pass this one off to those dipping their toes into punk rock. Sure it might not be legendary, but it’s one helluva of a good ride. Be sure to check it out now on all major music providers, or purchase it here, https://allwaffletrick.bandcamp.com/album/second-breakfast
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Favorite Tracks: Awakening, Stray, Burn, Taken, Shimmer and Valkyrie
Sounds Like: Bauhaus, Sisters of Mercy, The Room In The Wood, Mazzy Star, Gary Numan, The Damned (Darkwave Era), and Dead Can Dance.
As old man winter enters Colorado. Everything seems to slow down. It’s pitch black by 5pm, the pumpkins from Halloween are beginning to rot. The temperature is a constant 45 degrees. It’s great weather for some Gothic post punk tunes from Denver’s Married A Dead Man. They are set to play Goosetown Tavern on November 22, 2019 for their new album release, “Awakening”. Tickets are moving and are limited to only 100!
I have always felt a good album contains a story line. This story line may be deep and meaningful. Or maybe a group of musicians having a great time making music? Every song has its own story. Denver’s Married A Dead Man is one of those bands. With each release a story line is set. We reviewed their last release here, https://coloradopunkrockarmy.com/2018/10/12/married-a-dead-man-haunt/
The first track, “Overture”, provides a dark, grimy, and haunting introduction. This is a beautiful and haunting song. The movie is set to begin. “Awakening” is next with synth sounds reminiscent of Nine Inch Nails, “Dead Souls”. Kelley’s voice is energetic, yet blends well with the amazing drum work, and excellent guitar. This is a buildup to a pure, awakening from the depths.
I have to admit the next song, “Stray” hit me very hard. This anti-gun track is emotionally charged and left me pondering this. How many have to die at the hands of gun violence? How many more children will be gunned down like lambs to the slaughter? This song is incredible and has very strong potential.
“Shaken by bullets all flying around Pick up the bodies that lie on the ground With thoughts and prayers as we sink in despair Twenty years past yet we still look elsewhere”
Married A Dead Man – “Stray”
“Burn” follows with a beautiful piano introduction. This track has an awesome industrial sound. It’s almost as if there’s a full orchestra behind Kelley and the band. The buildup towards the end of the track is unexpected, but done brilliantly. “Bleed” is the next song. A relationship over, yet an awakening has begun to reclaim the soul.
The drum work on the song is excellent. The synth dances as a playful witch explores her new surroundings. I love this song! The band fully displays each of their own mastered styles. There’s an impressive guitar riff that blends seamlessly with the track.
“Taken”, gets dark and mysterious. The song progresses the story line while bouncing between self reflection and taking action. The imagery in this sad tale is deep and I felt it was best to reach out to the band for comment. I spoke with Vocalist/Keyboardist Megan Kelley.
CPRA: Can you go into more detail about the song “Taken?”
Megan Kelley: Absolutely. This song is somewhat painful to discuss and is very personal. It’s about rape. The lyrics are two fold: they discuss the victim begging to be freed and let go by the rapist, “stop/not that/this, please free my wrists. Choke/spit/hit/piss, I want to live” while toggling between the victim having an out of body experience to cope with the assault as it occurs “I’m floating high above. What should I think of?”
It also makes the point of how victims feel after getting assaulted: how they feel completely unattractive, detached, scarred, and how they view being seen differently by others. “Played out your fantasy, tied to my canopy. I was a bride-to-be, now no one touches me.” The song explores the fight-flight-freeze response to getting attacked in the first verse.
When we play this song live, often times I will discuss the personal nature of this song and always stress that it’s never the victim’s fault. I hope that with open dialogue about sexual assault it will help more victims find a place of healing. Rape is about control, and the best way to take back your control is to talk about your experience when you are ready.
I hope that our music can help anyone who has experienced anything like this. I have often feared being pitied or seen solely as a victim. My public “face” is not one to show or admit vulnerability, but writing about these experiences and feelings truly has helped me in many ways.” Thank you Megan for sharing your story!
“Shimmer” follows and slows the album down. It’s calming, as it explores the sub consciousness. The bass shines on the track. This is another track where I felt it would be great to hear Kelley’s thoughts.
CPRA: Can you go into more detail about the song “ Shimmer ?”
Megan Kelley: “Shimmer is about floating away in the ocean. The suicide aspect is a metaphor for self acceptance and peace within yourself; it’s not necessarily about suicide, but it’s also inspired by how Virginia Woolf killed herself (which was by drowning herself in a river after weighing herself down with rocks in her pockets.) That kind of self acceptance really comes from making absolute peace with oneself, so I thought that the beach setting was fitting for this kind of peaceful acceptance. I grew up on the East Coast.
Being near the ocean is something that I’m very accustomed to and love. The initial inspiration behind the song was the beauty of the ocean, and how much a beach scene is so peaceful and quiet. “I dip my toe in, dreaming of floating. I swim the ocean, the salt is cleansing. Feeling absolution, I can go peacefully.” Another big WOW from this writer!
“Keening” follows up with some edgy drums and guitar. By far one of the darkest tracks. It sounds like it could’ve been written by Bauhaus, yet retains that amazing MADM sound. This is another track where I felt it would be great if the band could offer some insight.
CPRA: Can you go into more detail about the song “Keening?”
Megan Kelley: Sure! This one was really fun to write. The band writes all the music collaboratively, and I write most of the lyrics and melody. Travis (bass) also writes some of our lyrics and melodies. We have a song about witches. We have a song about the Valkyrie. We really wanted to write about banshees. This was nice for me to research because I am half Irish…and really went deep into the folklore rabbit hole during the research process.
Like a lot of our music, it has a theme about women. Some songs are personal, like “Taken,” “Bleed,” or “Run,” and some songs are about strong women in mythology/history that we find interesting.There is a common misnomer that a banshee could put a curse on you if she came to visit. Really, the banshee is simply the messenger, visiting you to warn you that someone in your family will die soon…even as soon as the next day.
Visiting at night, and typically portrayed as a shrouded, older, skinny, kind of scary faced woman with straggly hair, the banshee shrieks her way through the darkness to deliver her message. In Ireland, there is a belief that a certain banshee is assigned to a specific family, and that your assigned banshee would stay with your family forever”. Such a great story! Thanks Megan for the awesome information!
The last track is, “Valkyrie – (Offerings To Odin) Remix. Prepared to be straight up blown away by this kick ass remix. While the original is a bit slower, this remix offers a dance version. This track would fit well in any action movie where a person is bent on revenge. This track seems to culminate the story line of “Awakening”. Fans of 90s house music will love this track. Denver’s Rock Island days are still with us.
In reflection, “Married A Dead Man’s, “Awakening” is a gothic post punk trip through intimate, storytelling, and fascinating composition. Several tracks on the record have great potential for commercial success. EDM may be taking the airwaves, but MADM is proving post punk is still alive and kicking. This album is definitely a nominee for CPRA’s Best Of 2019. You can pick it up on all major platforms after the release show at Goosetown Tavern.